Father's Day is still about 20 days away, and the rotten old miser zombie ghost in today's post isn't coming back from the dead Creepshow-style for his Father's Day cake either, nope-- he wants his money! This is a typically fun 'n spooky entry from the consistantly batshit bonkerama that was Superior Comics (fyi: I LOVE page 4!) From the Jan. '53 issue of Journey into Fear #11.
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Among The Clouds
Người đăng: Unknown on Thứ Hai, 30 tháng 5, 2011
It is not uncommon for popular entertainment to combine two different genres. The theory is that if you can captivate fans of both genres, you double the potential audience. As I noted recently, most comics, regardless of their main focus, frequently had romantic subplots. Much of the DC universe in the early 1960s consisted of a combination of superhero and science fiction; think of Batman facing all those aliens and monsters, for example.
DC also combined their war books with other genres. In Star Spangled War stories, the regular cover feature was a mixture of soldiers battling dinosaurs:
Kid are fascinated by war, kids are fascinated by dinosaurs, so let's give them war stories with dinosaurs. Is there anything else kids are fascinated by? Oh, yeah, Indians (aka Native Americans). So let's give them a series about a Navaho pilot in World War II.
Johnny Cloud was the result, and it's a pretty interesting series. The stories had a very basic template. A problem in the present (WWII era) reminds Johnny of an event in his past as a young brave. Johnny uses that prior experience to solve the proble.
Sound familiar? Well, if you watched the first few seasons of Lost, you saw that template used over and over again.
Problem in the present:
Memory of the past:
Leads to solution of problem in the present:
Many of the stories noted Johnny's metaphysical connection to a particular cloud formation:
Johnny Cloud lasted until the end of All-American Men of War with issue #117 (Sept-Oct 1966), then made a couple of guest appearances in other DC war mags. He was a charter member of the Losers, a group made up of discontinued features.
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DC also combined their war books with other genres. In Star Spangled War stories, the regular cover feature was a mixture of soldiers battling dinosaurs:
Kid are fascinated by war, kids are fascinated by dinosaurs, so let's give them war stories with dinosaurs. Is there anything else kids are fascinated by? Oh, yeah, Indians (aka Native Americans). So let's give them a series about a Navaho pilot in World War II.
Johnny Cloud was the result, and it's a pretty interesting series. The stories had a very basic template. A problem in the present (WWII era) reminds Johnny of an event in his past as a young brave. Johnny uses that prior experience to solve the proble.
Sound familiar? Well, if you watched the first few seasons of Lost, you saw that template used over and over again.
Problem in the present:
Memory of the past:
Leads to solution of problem in the present:
Many of the stories noted Johnny's metaphysical connection to a particular cloud formation:
Johnny Cloud lasted until the end of All-American Men of War with issue #117 (Sept-Oct 1966), then made a couple of guest appearances in other DC war mags. He was a charter member of the Losers, a group made up of discontinued features.
Nhãn:
Johnny Cloud,
The Losers,
War Comics
Người đăng: Unknown
Number 956
Blackmail Terror!
Sparkle Plenty, daughter of B.O. Plenty and Gravel Gertie, becomes a child star on a TV show patterned after the real-life Arthur Godfrey's Talent Scouts, then is kidnapped by a pervert ("Come sit on my lap!" "No! I don't set on strangers' laps, dadburn it!"), whose plan is to extort money by hijacking her income.
This is Harvey Comics Library #2, from 1952, a one-shot issue set apart from the usual comic, Dick Tracy Monthly, which Harvey also published. It's clever the way Harvey Comics packaged a well-known strip like Dick Tracy under the provocative title, Blackmail Terror. They did it with Rex Morgan, M.D. in Teenage Dope Slaves, also. I suppose they did it to attract comics buyers used to more lurid comics in the pre-Comics Code era.
Al Avison, who could mimic other cartoonists like Chester Gould, drew the cover, which was offered in 2004 on Heritage Auctions, where I downloaded this scan of the original artwork.
According to the inside front cover, today is Sparkle's 64th birthday. Happy birthday, Sparkle!