The Nightmare / The Ghoul Walks!

Người đăng: Unknown on Thứ Sáu, 29 tháng 6, 2012

Two horror quickies from the June-July 1952 issue of Eerie #7, the first tale containing some typically great art from Joe Kubert, PLUS a gorgeous b/w Everett Raymond Kinstler preface page. This is the last post of June 2012, hope you enjoyed the Golden Age terror tales showcased this month, we'll kick things off in July with a long awaited THOIA Contest, plus a few other surprises, as well as some scary San Diego Comic-Con news! FYI: only two weeks away-- who's going?







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Number 1183: Caught with her panthers down

Người đăng: Unknown


"Fangs of the Panther," from Harvey's All-New Comics #11, which is cover-dated Spring 1945, is probably at least partially inspired by the movie, Cat People, which was a big hit in 1942. Jerry Robinson, who had started his career assisting Bob Kane on Batman, is the artist. He was proud of this story, or appeared to be, since he signed it in both the splash and last panels. Signed comic book stories weren't unusual, but signed in two places was unusual.

Robinson died December 8, 2011, at age 89. He was active at that late stage in his life, based on this drawing of Robinson which appeared in The New Yorker magazine in May, 2011. Robinson was one of the pioneers of comic books, having joined Kane's studio as a teenager in those days when comics were finding their form.

Another pioneer, Bob Powell, was also represented in the same issue of All-New Comics, with a predecessor to the character, The Man in Black Called Fate*, the Man in Black Called Death, a name with a morbid air about it. It's the same character, though, with the gimmick of the Fate/Death character's face always in shadow.















*The Man in Black Called Fate is represented here by issues number 1 and 2 from 1957 in Pappy's #822, and Pappy's #1019. In 1947 the character appeared in Green Hornet Comics as The Man in Black, who introduced himself as Mr. Twilight! I showed a story in Pappy's #867.
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Number 1182: “Chilluns ought to be seed and not hearn!”

Người đăng: Unknown on Thứ Tư, 27 tháng 6, 2012

I like to think if there's an afterlife, perhaps Walt Kelly and Lewis Carroll are talking to each other in their own funny versions of the English language.

Other Kelly Pogo postings on this blog include “Floyd the Flea is lost at sea!” from Pappy's #756, “A couple of miles of jollity,” from Pappy's #567, and “Cinderola and the Three Bears” from Pappy's #483.

From Pogo #2 (1950), by Walt Kelly:











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Clyde Crashcup #3

Người đăng: Unknown on Thứ Ba, 26 tháng 6, 2012

I don't even remember where I picked up this issue; it was probably a throw-in at some garage sale, or one of the collections I picked up at some point. I certainly never would have bought it individually, but.... It turns out to be pretty good. I remembered the name Clyde Crashcup as having something to do with 1960s cartoons, but not what the cartoons were about; if I'd had to guess I would have made the obvious assumption that he was a terrible auto-racer. It turns out that he was the backup feature on the Alvin and the Chipmunks show, and instead of being a driver, he's a madcap inventor. Of things that have already been invented:
See, he'd just whip out his pencil and draw something and it would come to life. He also had a funny way of explaining the derivation of the name for his invention:
The formula for these stories is pretty simple; he invents something, but he and Leonardo, his (mostly) silent assistant, end up regretting it as it boomerangs on them:
The artwork is quite good and the writing is way above average:
According to Toonopedia, there's a pretty good reason for that:
The comics are sought after by today's collectors, because all five were written and laid out by cartoonist John Stanley, whose work on Melvin Monster, O.G. Whiz and Little Lulu is considered classic.
Of course, I probably would have realized that if I'd looked hard at this panel:
You never know where you'll find terrific comics entertainment.

Update: Commenter rnigma points out that Crashcup's verbal style and appearance were based on the oldtime character actor Richard Haydn.  I don't remember Haydn myself, although obviously I did see several of the films he appears in (Please Don't Eat the Daisies and the Sound of Music).  Here's Haydn doing his schtick:

As you can hear by listening to this clip of Clyde Crashcup, it is obvious that he is indeed based on Haydn: Haydn seems to be one of those rare character actors who was hired to play himself in every movie he appeared in.
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Blood for the Vampire!

Người đăng: Unknown

A nicely illustrated Nodel and Alascia vampire yarn for you today from Avon Periodicals June-July 1952 issue of Eerie #7 (and fyi: you'll enjoy this one alot more if you read the crazy narrative in Bela Lugosi's voice.) Also dig that Wood / Orlando (?) cover, it contains an interesting visual idea of a vampire returning to his coffin to find a young couple about to stake his-- ghost?!











And speaking of vampires, enjoy this fantastic illustration that Drazen Kozjan created for my son, Zander!
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