Yet More DC Scientofascism

Người đăng: Unknown on Thứ Ba, 6 tháng 11, 2007

I've talked a number of times in the past about the weird scientific fascism that many DC comics of the Silver Age appeared to endorse, as well as the odd conflict between DC's apparent reverence for science and its decidedly ambivalent attitude towards the products of that science. Here's another classic and bizarre example, from Adventure Comics #267 (Dec 1959).

The Legion of Super-Heroes (making their second appearance) have apparently taken up residence in Smallville. They perform a few heroic maneuvers, but treat Superboy coldly. Eventually the mayor of Smallville decides there's no need for the Boy of Steel, and Superboy tearfully leaves Earth. While in space, he comes across a horde of super-beings, all headed for one planet, which turns out to be a planet devoted to a tribute to Superboy himself. However, when he arrives:



Sentence first, trial afterwards, eh? A page or so later, they explain the reason for imprisoning him:



Just imagine the uproar if an administration tried to institute preventive detention, based on the fact that you're going to commit a crime five years hence. But, you know, it's just scientifically logical. Provided, of course, that the "futuroscope" works, which, of course it doesn't.

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Cherry Poptart. Issue 2

Người đăng: Unknown

Cherry Poptart. Issue 2
1985 | 45 pages | CBR | 15.6MB

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Cherry Poptart. Issue 1

Người đăng: Unknown on Thứ Hai, 5 tháng 11, 2007

Cherry Poptart. Issue 1
1982 | 37 pages | CBR | 15.4MB

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Người đăng: Unknown


Number 213



The Stray



Al Williamson draws Lassie! Well, kind of. If Lassie was from outer space, that is.

This is one of Williamson's post-Code ACG strips, from Forbidden Worlds #78, May, 1959. It's well drawn, using photo references. For all I know the stray of the title could have been Lassie, traced from photographs. Several of the human figures are posed, especially the woman.

The story is a heartstring-tugger by editor Richard E. Hughes, writing under the name Greg Olivetti. Olivetti, get it? That was a brand of typewriter, for those of you too young to remember those labor intensive machines that pre-dated word processing.






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Người đăng: Unknown on Thứ Sáu, 2 tháng 11, 2007




Number 212



Three Mouseketeers



DC had two sets of characters called Three Mouseketeers. The first was introduced in Funny Stuff #1 in 1944, and was a takeoff on Alexandre Dumas' famous literary characters. The second set was introduced in 1956, drawn by Sheldon Mayer, who had edited the first series. It was more contemporary, featuring a sort of Tubby and his Clubhouse Pals, mouse style. The characters, Fatsy (also called The Captain), Patsy and Minus were the Mouseketeers.*
This unnamed story is from Funny Stuff #6, Fall 1945. At the time it was published by Max Gaines' former division of DC Comics, All-American. By Funny Stuff #7 All-American and DC had kissed and made up, then reunited. From there Max Gaines went on to create EC Comics.The fine artwork is unsigned, although the Grand Comics Database credits it to Ron Santi, who signed the "Bulldog Drumhead" strip in the same issue as R. Santi . "The Three Mouseketeers" episode seems a morbid story for a kids' funny animal comic book, but then as now, murder is entertainment. At least in this story the murder victim wasn't really a victim, or even murdered.

Page 1 / Page 2 / Page 3 / Page 4 / Page 5 / Page 6 / Page 7 / Page 8

*We're also all aware of Disney's TV Mickey Mouse Club and the Mouseketeers.

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The Second Origin of the Second Two-Face

Người đăng: Unknown on Thứ Năm, 1 tháng 11, 2007

Two-Face was one of Batman's better villains. Harvey Kent (later changed to Dent) was a handsome District Attorney in Gotham City, with a penchant for prosecuting mobsters. When he prosecuted Boss Maroni, the mobster scarred the left side of the DA's face with a vial of acid. Driven mad by his sudden bizarre appearance, Kent became a lawbreaker, using the "two" theme in his crimes. In keeping with his dual nature, Two-Face had a silver dollar with two heads on it, one of which he disfigured. He would flip the coin and if the good side came up, he would donate the proceeds to a charity, blending in a little Robin Hood with the obvious Dr Jekyll and Mr Hyde characterization.

But Kent eventually repented his evil ways and with the help of his fiancee and a plastic surgeon was able to resume his prior life. The saga was told over a series of stories appearing in Detective Comics #66, 68 and 80. Two-Face was clearly a popular character, and yet the editors seemed reluctant to disturb the happiness of the Kents. There was one story after those with Two-Face, but it turned out to be the Kents' butler, wearing a mask.

In Batman #68, a new, real, Two-Face was introduced. As it happened my introduction to this story came when it was reprinted in Batman Annual #3, which is effectively the only appearance for either of the Two-Faces in the Silver Age (yes, I know about the World's Finest issue, but that was Batman dressing up as Two-Face). In the story, Paul Sloane is a handsome actor, portraying Harvey Kent on a Hollywood TV set, when something goes terribly wrong:



It's a memorable moment, and so when a friend of mine showed me his copy of Batman #68, I was looking forward to rereading it in the original. I was startled to discover that the above scene does not appear there. Instead there's this:



Note also the black and white image as viewed from the TV in the original versus the color image in the latter; another difference between 1963 and 1950. I remember the first time I saw a color TV at about 1962 being completely blown away by the idea that they could improve on black and white.

It turns out that the prop man had put acid in the bottle as revenge for Sloane stealing his girlfriend. I suspect that the Comics Code Authority, while allowing the disfigurement to be presented, demanded that the love triangle be edited out of the scene when it was reprinted in Batman Annual #3.
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