Yes-- by all means, stop the presses because there's a man in the tomb! The Tomb of Darkness to be exact, and it's the March 1975 issue of Tomb of Darkness #13 to be even exacter. But stop the presses again because these are reprints that originally appeared in the September 1952 issue of Mystic #12! And for a third stoppage of the pressings, our first story is illustrated by Mean Gene Colan, one of the biggest guns in the history of Marvel / Atlas horror! Shall we stop the presses for a fourth time by revealing the back-up story features Bob Fujitani pencils? Of course! And STOP. THE . PRESSES to infinity because we've also got covers from Sol Brodsky and Sal Buscema too! Man, what a great double header post!!!
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HAUNTED HORROR #9 / Ghosts from Mars
Người đăng: Unknown on Thứ Tư, 5 tháng 2, 2014
IN STORES TODAY! You keep buying 'em, we'll keep chuggin' 'em out! And here's a putrid preview for you-- a weird sci-fi horror tale from the October - November 1951 issue of Dark Mysteries #3, art by Vince Napoli. Get your copy now to see what other gruesome goodies this icky issue has to offer! (FYI: don't freak-out, the Gene Colan story I promised is coming up next-- stay tombed!)
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Number 1520: Everything I know about cheating spouses I learned from EC Comics
Người đăng: Unknown
I was sheltered as I was raised, not allowed to make a fist until I was 23 (as actor McLean Stevenson used to say). Well, it wasn’t quite that bad, but up until I entered puberty I had no idea about The Real World Out There, the one where people who are married are sneaking around on each other. Puberty coincided with reading used copies of EC Comics, which I bought mail order (50¢ each!) from Bill Thailing in Cleveland, Ohio. Hoooo boy, did I learn a whole lot from them!
First and foremost I learned that when a wife or husband is cheating they will either kill their spouse or be killed by their spouse. Then they will return from the grave to wreak revenge. I believed the first, but not the second. No, revenge could not be that easy. In that era, as I later found out, many places, including New York where most comic book people lived and worked, had very tough divorce laws. So you couldn’t say, “Why don’t these wronged people just get a divorce?” Actually they could, because before divorce laws were liberalized, proving adultery was the one surefire way to obtain a divorce. Then, as now, some people try to get around any kind of divorce by just murdering their spouse. Seems awfully extreme to me, but it is bread-and-butter to writers of horror, mystery fiction and true crime books.
These pages by Ghastly Graham Ingels are scans of original art from EC’s Crime Suspenstories #7 I found a few years ago on Heritage Auctions. What impresses me isn’t the shopworn triangle love/revenge plot, but Ghastly’s treatment. His gothic style made even something like the circus look creepy. His characters can be unattractive, causing one to wonder how they could be involved in an affair. But then, as I emerged from my cocoon of naïvete thanks to EC Comics, I found that adultery is more a crime of opportunity and less about meeting some good-looker who sweeps you off your feet.
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First and foremost I learned that when a wife or husband is cheating they will either kill their spouse or be killed by their spouse. Then they will return from the grave to wreak revenge. I believed the first, but not the second. No, revenge could not be that easy. In that era, as I later found out, many places, including New York where most comic book people lived and worked, had very tough divorce laws. So you couldn’t say, “Why don’t these wronged people just get a divorce?” Actually they could, because before divorce laws were liberalized, proving adultery was the one surefire way to obtain a divorce. Then, as now, some people try to get around any kind of divorce by just murdering their spouse. Seems awfully extreme to me, but it is bread-and-butter to writers of horror, mystery fiction and true crime books.
These pages by Ghastly Graham Ingels are scans of original art from EC’s Crime Suspenstories #7 I found a few years ago on Heritage Auctions. What impresses me isn’t the shopworn triangle love/revenge plot, but Ghastly’s treatment. His gothic style made even something like the circus look creepy. His characters can be unattractive, causing one to wonder how they could be involved in an affair. But then, as I emerged from my cocoon of naïvete thanks to EC Comics, I found that adultery is more a crime of opportunity and less about meeting some good-looker who sweeps you off your feet.
The Dead Don't Sleep!
Người đăng: Unknown on Thứ Hai, 3 tháng 2, 2014
An awesomely eerie Al Eadeh tale of vengeance from beyond the grave, originally presented in the April 1954 issue of Adventures into Terror #30, and as seen here reprinted in the August 1975 issue of Uncanny Tales from the Grave #11. Nobody draws the dead as disturbingly terrifying and torturously twisted as 'ol Al!
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Number 1518: Bad example
Người đăng: Unknown on Chủ Nhật, 2 tháng 2, 2014
Joe (also called Jack) Slade has either a bad reputation as a Western outlaw, or he wasn’t that bad, depending on who you listen to or what you read. If you google the name you get a couple of versions of the life and career of Slade. The story about Slade I’m showing today is strictly in the bad man camp. But that isn’t the reason I’m showing this story from Desperado #1 (1948). It has to do with the declaration by publisher Lev Gleason, shown here, as to an internal self-censorship code for their line of comic books.
As you can see, there are specific instructions to follow, like number 10, “blood must not be seen flowing from the face or mouth. . .” Then you turn to page 3 of the story and what do you see? Blood flowing from a face. The story is excessively violent; killings pile up, and despite instruction number 2, “sadism or torture . . . will not be accepted,” on the final page a panel shows a half-nude man tied to a tree in a snowstorm, kept alive “in the freezing air” while pleading for death. In the history of comic books and the late forties-early fifties response to calls for censorship or outright banning of crime comics altogether this response from a publisher, with its “much needed form of self-imposed censorship,” may be the most extreme fubar in evidence. Had Dr. Wertham seen this story and the attendant message he may have devoted a chapter of Seduction of the Innocent to the hypocrisy.
Oh yeah...one more thing as long as I’m complaining. I hate the gimmick of the gun telling the story. Anthropomorphizing an inanimate object — another outrage!
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As you can see, there are specific instructions to follow, like number 10, “blood must not be seen flowing from the face or mouth. . .” Then you turn to page 3 of the story and what do you see? Blood flowing from a face. The story is excessively violent; killings pile up, and despite instruction number 2, “sadism or torture . . . will not be accepted,” on the final page a panel shows a half-nude man tied to a tree in a snowstorm, kept alive “in the freezing air” while pleading for death. In the history of comic books and the late forties-early fifties response to calls for censorship or outright banning of crime comics altogether this response from a publisher, with its “much needed form of self-imposed censorship,” may be the most extreme fubar in evidence. Had Dr. Wertham seen this story and the attendant message he may have devoted a chapter of Seduction of the Innocent to the hypocrisy.
Oh yeah...one more thing as long as I’m complaining. I hate the gimmick of the gun telling the story. Anthropomorphizing an inanimate object — another outrage!
Nhãn:
Bob Wood,
Charles Biro,
Desperado,
Lev Gleason





























































