Number 1390: “All that glitters...”

Người đăng: Unknown on Thứ Hai, 24 tháng 6, 2013

For a time in the 1950s comic artist John Forte’s work could be found prominently in ACG titles. He went from there to DC where he did the Bizarro World stories in Adventure Comics, written by Jerry Siegel. He then became the first artist for the Legion of Superheroes. He died young in 1965.

I never really saw him as a superhero artist, although his Bizarro stories are some of my favorites of the era. My affection for Forte is for his work on mystery and supernatural. This particular story, “The Glittering Nightmare,” is credited to Forte and writer Shane O’Shea (actually ACG editor Richard E. Hughes). It has a scientist obsessed with a project that ruins his marriage and an alien lifeform taking on earthly shapes, reminding us of Invasion of the Body Snatchers. I showed this story in the early days of this blog, but these are my new and improved scans.

From Forbidden Worlds #76 (1959):








Some pre-Comics Code Forte here. Just click the picture.

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#642 - A couple of Phantom Sunday strips - better versions in color

Người đăng: Unknown on Chủ Nhật, 23 tháng 6, 2013

Emile has been hard at work getting alternate versions of both Sunday and Daily strips of the Phantom. I am presenting two of the Sunday strips shared by Emile.

Archive:
Name:  S152. The Shipwreckers - 2000-01-02 to 2000-07-30.zip
Size:    9.65MB
URL:  http://www.mediafire.com/download/tbp25k3f9fxck9n/S152._The_Shipwreckers_-_2000-01-02_to_2000-07-30.zip


Archive:
Name:  S153 - Woduro’s Secret - 2000-08-06 to 2001-03-04.zip
Size:    9.1MB
URL:    http://www.mediafire.com/download/8923b0ll9kb7kkd/S153_-_Woduro’s_Secret_-_2000-08-06_to_2001-03-04.zip


All thanks to Emile.

Enjoy,
Venkit
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Tank of Corpses

Người đăng: Unknown

Posted this one here at THOIA back in 2007, and here it is again, encore presentation style, where it will hopefully find an audience-- it certainly deserves it, being one of the weirder / spookier Harvey precode horror tales (art by Joe Certa.) From the April 1952 issue of Witches Tales #9.







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Number 1389: Enter Albert and Pogo

Người đăng: Unknown

Any ardent Pogo fan can tell you Walt Kelly’s familiar character did not spring forth from his creator’s forehead fully formed. Rather he was developed over time. As you can see in this, the first appearance of both Albert Alligator and Pogo Possum in Animal Comics #1 (1942), they were hardly recognizable as to what they would someday become. No matter. The Kelly humor is here, and while the Pogo characters went through an evolution, Kelly was as talented in his beginnings as he was at the end of his career, which came with his death in 1973.

I’m also showing another Kelly strip from the same issue of Animal Comics. “Muzzy and Ginger,” is a more typical funny animal strip.

















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Silver Age Aspects of the Man of Steel

Người đăng: Unknown on Thứ Sáu, 21 tháng 6, 2013

I went to see the Man of Steel movie yesterday.  I enjoyed it a lot, although I will confess that I started out a little suspicious, especially given the build-up during the scenes on Krypton.  I did like the high-tech stuff there, but what the heck was that flying butterfly that Jor-El was dashing around on?  Struck me as a bit of a rip-off from Avatar.

But the rest of the movie was much better; about the only complaints I had with the Earth scenes were that they did a bit too many back and forth in time cuts and the fight sequences lasted way too long, especially that last one, where Metropolis made New York look like it had a picnic on 9-11.

But there were a lot of nods to the comic geeks like me.  For example, Pete Ross.  Now granted, in the books Pete is blond-haired and a popular kid who blows Clark away by liking him, while in the movie he has red hair and is dumpy and dorky and initially a bully.  But still... it's so cool that Pete Ross turns up in a Superman movie that I'll cut them a little slack.

My take on General Zod was pretty much the same; different from the comics but close enough that I'm not going to gripe.  He did try to take over Krypton, albeit with an army of Bizarro Zods:
By the way, in these movies, it always seems that there is one person of hench who almost always has some visible physical flaw--some deformity intended to cue us in that they are really, really evil.  And yet while Zod's main underling was pretty obvious, I didn't catch any flaws in her other than that she was a mean-ass beeyatch.

One cute bit was where Superman learns to fly; I really liked that, because they started him out jumping (in the earliest stories he could jump but not fly), then showed him flying, but having a bit of a problem keeping himself under control.  Remember this story?

It's one of the tales in the series where Mort Weisinger and his writers started to fill in the legend of Superboy.  BTW, since that cover shows Pa Kent, I will mention that I thought the characterization of Jonathan and Martha Kent was terrific in the movie.  Commander Benson has often mentioned that they were the unsung heroes of DC comics, taking the most powerful being on Earth and molding him into a responsible, heroic young man.  We got some of that in the movie, but more about what a challenge it was to help Clark deal with the way he was different from everybody else, and the urgency of him keeping it a secret.

And yes, I loved the scene at the very end where Lois meets Clark the reporter; that's clearly something of a nod to this:
Yes, they pulled pretty much the same gag with Green Lantern and Carol Ferris.

Some other points:

Loved the bits with Jor-El later in the film, after Krypton exploded.  Again, something of a nod and a wink to the Silver Age, where Jor-El appeared almost constantly despite being, well, you know, dead.  I do have to assume it was just some sort of AI computer saying the things its program tells it Jor would be likely to say in those situations.

Steve Lombard gets a bit at the very end; although he did not appear in the Silver Age, I do remember him coming on the scene shortly thereafter.

Did you catch the Lexcorp gas trucks in the final battle?  The story in this Superman movie does an excellent job of setting us up for a Luthor sequel based on the modern interpretation of Luthor as obsessed with Superman precisely because he is an alien.

Yes, I did get a little disappointed at the resolution of the battle with Zod; it doesn't fit the character circa the Silver Age.
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Number 1388: Tough guy Tuska

Người đăng: Unknown

A story about George Tuska has gone around for a long time. (It is also in semi-fictional form in The Dreamer by Will Eisner.) A woman — memory tells me it was Toni Blum — who wrote scripts for the artists in the comic shop bullpen was the subject of talk by the guys. Tuska liked her. Bob Powell apparently said something sexually insulting about her and Tuska got up from his board and punched Powell to the floor. In another report I read, Tuska, who was a big guy — and Powell was not — stood over Powell and said in the voice of Lennie (Lon Chaney Jr in Of Mice and Men), “You shouldn’t ought to have done that, Bob.” True, or exaggerated? I dunno. Good story no matter the truth? Hell, yeah!

Tuska did the artwork on this lead story from Crime Does Not Pay #56 (1947). Cover by Biro.

Tuska, in my opinion, was at the absolute top of his illustrative skills when he did stories for Charlie Biro at Crime Does Not Pay. Biro was a demanding editor who made the artists draw everything, and that was even though the stories were burdened with text, captions and overloaded speech balloons. Still, Tuska managed to get all of the characters and violence into the panels. And speaking of violence, the sensitive among you need to be warned of some of the panels: a knife slices a cheek, a woman is shot.

Violence like that was part of what inflamed adults about crime comics being sold to children. Something a bit more subtle in this story is the message about being a squealer. Guys who tell on criminals meet a bad end. Remember that, kids.















 More classic Tuska: Butt Riley! Click on the picture.


















**********
Your eyes will pop!

Another thing to cause concern amongst crime comic critics of the era is this ad from the same issue of Crime Does Not Pay: additional reading material from a third-party publisher. Five books, four of them concerned with crime. I don’t know for sure about the kids in 1947, but I sure would like to read them, and get the “hidden secrets, helpful information, inside ‘dope’.” That could be interpreted as ways to commit crimes. But there is one book, How Detectives Catch Crooks, that would be especially helpful. We still have that today: television programs about crime-busting through forensics, showing police methods, have helped some criminals.

It’s human nature to want to know about “Big-shot Gangsters, their crimes, careers and deaths!” and I’m no different. But I don’t plan to emulate them. I don’t commit crimes because I’m not a criminal, no matter how many books I read or TV shows I watch about crime. I suspect that’s true about most people, or despite all the crime-saturated entertainment the crime rate would be a lot higher than it is.


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