#668 - D238 - The Scoundrel ! - 2013-12-02 - 2014-04-19

Người đăng: Unknown on Thứ Bảy, 26 tháng 4, 2014

I present here the latest Phantom Story for your enjoyment. Though I am the one who does the posting, I am sure the readers know who to thank for this. The one and only Emile.








Download Emile's original link here.

Enjoy and shower your thanks on Emile.
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Evil Spirit!

Người đăng: Unknown on Thứ Sáu, 25 tháng 4, 2014

Most of you know Al Eadeh from his eerie style on the many great horror titles from 1950's Atlas comics. But here he is over at Prize working his unique trademark evil (I particularly love his feline faced females) for this weird woman classic from the April 1953 issue of Black Magic Vol. 3 #5 (23.) Cover art by Jack Kirby.








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Number 1565: Giving 3-D a Whack

Người đăng: Unknown

Three dimensional comic books and movies were a quick-moving fad in 1953, and the story is told that only the first 3-D comic book (Mighty Mouse from St. John) actually made money. Other publishers jumped in on the fad, only to lose money.

Whack #1, also from St. John, was not only a 3-D comic, but an attempt to cash in on the success of EC’s Mad. To be fair, EC put out a couple of 3-D comics to compete with St. John. But with the 3-D fad finished, Whack lasted one issue as a 3-D comic, then reverted to a 10¢ four-color format for two issues using stories prepared originally to be printed as 3-D.

Get out those red-blue anaglyphic glasses if you have them to see one of Whack’s attempts at humor and satire with the story, “Ghastly Dee-fective Comics” drawn by Norman Maurer and inked by Joe Kubert. It’s scanned from my copy of Whack #1. If you don’t have the red-and-blue lenses you can read the story in a black line version, directly below the 3-D version. It was prepared by a fan and posted online. By now the ink on all fifties 3-D comics has pretty much faded so the conversion isn’t perfect, but my thanks to that person anyway for their trouble.

If you would like to know how to make your own 3-D glasses. Click on the thumbnail, a link to an article from Boy’s Life to tell you how.


Following that is one of the stories prepared for 3-D but instead printed in standard comic book format. It’s by Kubert, inked by Maurer. The claim in the story, belied by having to print it in four colors rather than 3-D, is that the 3-D comics were best sellers. For me it’s of interest because it has caricatures of Kubert and Maurer, and even their boss, Archer St. John, as “St. Peter.”



















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The Worst of Eerie Publications (NEWS)

Người đăng: Unknown on Thứ Năm, 24 tháng 4, 2014

News you've been waiting for from IDW Publishing, OMG it's Mike Howlett's long awaited follow up to The Weird World of Eerie Publications! --THE WORST OF EERIE PUBLICATIONS!! (click HERE to pre order.) Gratuitous gore! Multi-Monster Madness! Bound Beauties! Collected for the first time in a deluxe edition are the comics that deserve it the least: the infamous Eerie Publications' horror comics! Incredibly gory and crazy, the Eerie Pubs pushed the boundaries of good taste with blood-drenched, spine-cracking tales ripped (and redrawn) from the pages of Pre-Code horror comics. And who can forget those nausea-inducing covers? A dirty dozen of deadly, full-color covers are reproduced for your discomfort and revulsion! Featuring illustrated terror by Dick Ayers, Chic Stone, Domingo Mandrafina, the Iger Shop, and many other unsung masters of the morbid, presented in glorious, carefully remastered black and white. ORDER NOW!


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Number 1564: Two Alarming Tales by Kirby

Người đăng: Unknown on Thứ Tư, 23 tháng 4, 2014

Two stories from Alarming Tales #2 (1958) make up my 40th posting for Jack Kirby. I could do a lot more, too...that guy made up the history of comic art for decades and examples are all over the place. I chose these today for sentimental reasons. I liked them when I bought this issue off the spinner rack in 1958, and was taken — as always — by the power of Kirby’s art. “The Fireballs” is credited to Kirby and George Roussos, and “I Want To Be a Man” has a tentative credit for Kirby inking his own pencils.

Both stories are credited to scripts by Kirby, but it seems to me someone else edited them or rewrote them to remove the exclamation points Kirby liked. He usually used two (!!) and if he had something special to emphasize, he used three (!!!) As an aside, I believe sentences are just fine ending in a period, and exclamation points should be used sparingly! Never use two!! or three!!!

“I Want To Be a Man” I took from the Heritage Auctions website, and once again, thanks to those fine folks for doing these great scans. In 2004 the story sold for a bargain price, $1,897.50, but was resold the next year for $4,600.00. I would guess it’s worth much more now. It’s not only very well drawn, but it has a poignant ending, which I sniffled over as an 11-year-old, and I find it still affecting all these years later.

(Note the name of the character, Ed Snowden. I kid you not.)











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Kirby stories from Alarming Tales #1 here. Just click on the thumbnail:


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Justice for the Dead!

Người đăng: Unknown on Thứ Hai, 21 tháng 4, 2014

I recently picked up a great collection of Rip Kirby comic strips and liked the art so much I checked to see if I had anything featuring illustrations by John Prentise in my horror collection. Lucky for us, I found this nicely produced supernatural crime spooker from the June-July 1951 issue of Black Magic Vol. 1 #5  highlighted by his beefy, broad style. FYI: Trying to get this blog back on a consistent post schedule seems pretty much impossible these days with my own personal projects and work demands,--but I'm trying, hang in there!








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Number 1563: Barry Kuda

Người đăng: Unknown

Jeez, “Barry Kuda.” How obvious can it get with a character name? Names like that used to be popular at one time. I give Barry Kuda low marks for a name. Relatively high marks for artwork, though, which according to comic art spotter Jim Vadeboncoeur could be Al Plastino.

Like this story, some of the other art in Harvey’s All-New Short Story Comics #2 (1943), is Lou Fine-inspired. It is inspiration that affected several artists early in their career. Even Joe Kubert uses the style in a story he has in the issue, drawn when he was 16-years-old. I will probably show that some day. Even though some artists were smitten by Fine’s style, not all matched Fine’s skill. Still, this particular story is well drawn.








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