What jumps out at me with this very early entry for Magno, from Super-Mystery #2 (1940), is not the Harry Lucey artwork, which is very good, but the eye-popping primary colors. Other publishers of the time also used bright colors (Quality and Fox come to mind), but I think this job rises above them, with its imaginative use of colors for an earth-boring machine (page 12). The colorist must have been having fun.
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